There Are No Children Here Essays: Style -- There are No Children Here

Style of There Are No Children Here There Are No Children Here  In Kotlowitzs interpretation of the harsh realities of the Chicago projects, three stylistic elements stand out his comminuted narration, his bluntness, and his questionable objectivity. These three elements blend to form a unique sprint that is particularly well-suited for There Are No Children Here. If there is one affaire on which critics agree when discussing this book, it is that Kotlowitz is a brilliant narrator. He has a knifelike eye for the daily particulars of this dangerous neighborhood. Adding to this strength is the fact that he spent years in one particular Chicago project, earning the trust of his informants. What ensues is a story that is told masterfully. Kotlowitz conveys not only the hardships that Lafeyette and Pharaoh face, but the effect of those hardships on the boys, as well. For example, after the two children dive under cover during a drive-by shooting, both are visibly affected. The younger brother, Pharaoh, laments, I worry about anxious(p), dying at a young age. The older of the two, Lafeyett...