Vittorio de Sicas The Bicycle Thief Essay -- Movies Film Bicycle Thie

Vittorio de Sicas The wheel around footpadSince the beginning of its existence as a pastoral, Italy has faced fantastic challenges in establishing itself as a unified policy-making and loving entity. The geographic, economic, and linguistic differences mingled with its various regions and the artificial manner in which they were amalgamated created a bequest of internal divisions that continues to dominate the countrys political climate to this day. Italys numerous historic fiascoes, such(prenominal) as its disastrous involvement in the two humankind Wars and the travel of fascism, further escalated the domestic problems that had haunt it since the Risorgimento. At first, the anti-fascist Resistance movement, which predominate the abolish of macrocosm War II, seemed to bring Italy a ray of hope, declare a new era of freedom, repair, and democratic representation. However, this hope was quickly extinguished, as general poverty, organisation corruption, and deep divisi ons between regions and classes persisted and no true societal reform was attained. These harsh conditions were depicted by a group of Italian involve directors whose neorealist works have since been celebrated as masterpieces of world cinema. maven of the yet about big of these is Vittorio De Sicas The Bicycle Thief. This 1948 film discusses the prevalent themes dominating Italys brotherly and political history, within the context of the unsettlingly poor post-War urban proletariat. Among the most prominent motifs in Italian politics since the Risorgimento has been a tendency for quasi-action (inaction disguised as action), in the form of transformismo and attendismo. The first of these terms refers to the practice of assuring the government of an enough majority in parliament either by a prelimina... ...ial failure. This sober conclusion of the film seems to be an expression of hopelessness for Italys future. By 1948, the country had gone through a series of tumultuous h istorical events, caused by the inadequacy of its political and economic system. The disillusionment of its citizens with the system and in position with the very concept of their nation was taken to its limits by to that extent another(prenominal) failure to achieve true social change afterward World War II. The transformismo of the Christian Democrats and the attendismo of the Communists offered no hope for Italians, appearing as just another stage in the countrys endless cycle of political and social failure. The Bicycle Thief is a portrait of Italys collective consciousness, haunted by its disturbing past and disillusioned towards its future. Works CitedURLhttp//www.film.queensu.ca/ slender/Bonikowski.html Vittorio de Sicas The Bicycle Thief Essay -- Movies Film Bicycle ThieVittorio de Sicas The Bicycle ThiefSince the beginning of its existence as a country, Italy has faced enormous challenges in establishing itself as a unified political and social entity. T he geographic, economic, and linguistic differences between its various regions and the artificial manner in which they were amalgamated created a legacy of internal divisions that continues to dominate the countrys political climate to this day. Italys numerous historical fiascoes, such as its disastrous involvement in the two World Wars and the rise of fascism, further escalated the domestic problems that had haunted it since the Risorgimento. At first, the anti-fascist Resistance movement, which dominated the end of World War II, seemed to bring Italy a ray of hope, promising a new era of freedom, reform, and democratic representation. However, this hope was quickly extinguished, as widespread poverty, government corruption, and deep divisions between regions and classes persisted and no true social reform was attained. These harsh conditions were depicted by a group of Italian film directors whose neorealist works have since been celebrated as masterpieces of world cinema. One o f the most prominent of these is Vittorio De Sicas The Bicycle Thief. This 1948 film discusses the prevalent themes dominating Italys social and political history, within the context of the unsettlingly poor post-War urban proletariat. Among the most prominent motifs in Italian politics since the Risorgimento has been a tendency for quasi-action (inaction disguised as action), in the form of transformismo and attendismo. The first of these terms refers to the practice of assuring the government of an adequate majority in parliament either by a prelimina... ...ial failure. This somber conclusion of the film seems to be an expression of hopelessness for Italys future. By 1948, the country had gone through a series of tumultuous historical events, caused by the inadequacy of its political and economic system. The disillusionment of its citizens with the system and in fact with the very concept of their nation was taken to its limits by yet another failure to achieve true social change after World War II. The transformismo of the Christian Democrats and the attendismo of the Communists offered no hope for Italians, appearing as just another stage in the countrys endless cycle of political and social failure. The Bicycle Thief is a portrait of Italys collective consciousness, haunted by its disturbing past and disillusioned towards its future. Works CitedURLhttp//www.film.queensu.ca/Critical/Bonikowski.html